There are certain milestones in an artist’s career that would seem to inspire a moment of reflection. Yet as Craig Morgan put the finishing touches on THIS OLE BOY, an album marking more than ten years since the release of his self-titled debut album back in 2000, the singer/songwriter has a surprising reaction when asked for his thoughts on his decade-long run.Total shock.

“Is that right?’ Morgan asks, leaning back in his chair when told the news. He’s quiet for a moment as he lets his mind wind its way back through over ten years of memories to double check the math. Then his eyes brighten, “I guess it is,” Morgan marvels, “But I tell you, I feel like I just got started. I feel like I’m 25 years old and saying, ‘Wow, I hope I make it in the music business.’” …continue reading →

Growing up in rural Lyons, Georgia, singer/songwriter Craig Campbell learned one important lesson from the ZZ Top records his mother favored: “Every girl’s crazy ’bout a sharp-dressed man.”

That’s one reason Campbell is always impeccably well tailored on stage, and at industry awards shows and events. But he says there’s an even more important reason: respect. For Campbell, caring enough to wear a pressed, button-down shirt and black cowboy hat when he performs is a show of respect for his fans, for the successful career he considers himself lucky enough to have, and most of all for the country music genre itself. It’s also a credit to his no nonsense, “yes, m’am/no, sir” upbringing, which made Campbell into the Southern gentleman he is today. …continue reading →

With more than 15 million albums sold worldwide, 16 #1 singles, with seven as co-writes, five Grammys, and countless other accolades—all achieved with four albums in less than eight years—some artists might feel as though they’d earned the right to rest on their laurels, but not Carrie Underwood. Fueled by a restless creative spirit, good-natured competitive streak and abundance of God-given talent, Carrie unleashes her most ambitious project yet with Blown Away.

Teaming again with producer Mark Bright, Carrie delivers a 14-song collection that covers a particularly vast expanse of emotional territory. She celebrates the understated pleasures of small town living in “Thank God for Hometowns” and explores the exquisite fragility of life in “Forever Changed.” She’s not averse to tackling abuse and betrayal then doling out a little sweet revenge with such compelling tracks as “Blown Away” and “Two Black Cadillacs.” Musically the songs range from rollicking up-tempo anthems, such as the hit first single “Good Girl” to the island-flavored escape of “One Way Ticket” and the steel guitar-laced country lament of “Wine After Whiskey.” …continue reading →

It seems that good ol’ boys and girls are everywhere country fans look these days. And while that rough-hewn sound and image has clearly established its place in the genre, it’s refreshing to encounter an artist who stands apart from the crowd—in look and style, but especially in his music.

Enter David Nail. With Sinatra-like levels of poise and class, the rare gifts of natural melody and soul, and a voice as enveloping as a Cumberland River fog, the Missouri native is a modern-day country gentleman. He’s Jim Reeves crossed with Elton John. Garth Brooks meets Stevie Wonder. Glen Campbell blended with Michael Bublé. …continue reading →